Bruce Adams

Miscellaneous:

These one-of-a-kind pieces don't fit neatly into a series or catagory:


Below are works that don't fit neatly into any series found elswhere on this site, but many are related through subject matter or theme.



Thank You For Your Submission
2005, Oil and wax on Canvas -
Diptych, Overall size 30" x 48"

 


Untitled
1980, Acrylic on canvas,
50" x 44.5"

 

The True Shoe of Monet: if it fits, wear it
2000, wood, paint, glass muller, and shoe
30" x 7.5"

 


The Treason of Archaeology, Ceci n'est une pipe (this is not a pipe)
1988, Oil on wood with wood frame and rub-on lettering, 21" x 11.5"

 


La Trahison de la Science
1989, Oil on wood with wood frame, 9.5" x 11.25"

 


This is still not a Fucking Pipe, 1997
Oil on board with wood frame, 10.5" x 4.5"

 


Ceci.n'est.pas/une/magrtte
1996
Acrylic on canvas, with wood frame, 18" x 22"


MM Phonograph Knob
Circa 1998,
Oil on wood, spray paint, calligraphy pen, wood frame, phonograph knob 39" x 27"
Read the text

 


Gambling in Buffalo
2002, oil on wood with copier prints, 11" x 8.5"

 


Proud Arian Family (from VolksArt installation at "Creative Control" Artists and Models Affair) Acrylic on Styrofoam, slightly larger than life, 1993

 


Vase #4
1998
oil on canvas, 9" x 12"

 


Details unavailable

 


Touch
circa 2000, Found paintings, metal clamps, velvet, board, 60" x 45.5"

 


Gush, Gush
1996, Oil on canvas
18" x 14"

 

 

 

 


Boy Toy
1996, Acrylic on board,
plaster and found objects,
12" x 20",

 


Girl Toy
1996, Acrylic on board, plaster and found objects, 12" x 20"

 

 

 

 

 

 


These three works might or might not become a series. Two of them grew out of my Paintings of Pictures of People with Paintings series, but essentially they are experiments in combining images metaphorically to evoke viewer responses. I like the political commentary that's developing, and it has inspired me to do another series of small works I intend to title "The History of America," comprised of portraits of all the US Presidents (possibly ending with Hillary Clinton.


Tales (Tails) , 2005
Oil on canvas,
60" x 45"

 


2005
38 30’ 15”N, 118 22’ 30”W,
Oil on canvas
49" x 34"

 


Unbridled, 2005
Oil on canvas,
71" x 60"

 


The following images are of a triptych mural titled "Labor Matters" that was commissioned for "Art on Wheels," a city wide summer-long exhibition of public art sponsored by the Burchfield-Penney Art Center relating to the subject of wheels, and particularly the automobile industry. I adopted a WPA Social Realist style and included references to specific works by Diego Rivera. It's painted in Acrylic on Sign board and the overall dimensions are 92" x 142" including the welded polished aluminum frame. There was a nice pamphlet that went with it, which explains each part of the design. You can access it by clicking here. It is currently in the collection of Mr. Francis Letro and Ms. Cindy Abbott.



"Labor Matters" 2003


"Smoked Buffalo" was my entry in "Herd About Buffalo," another public art project in the summer of 2003 sponsored by the Burchfield-Penney Art Center. A full sized buffalo with smoke stacks, it belched thirty seconds of smoke every three minutes. It had a soot-black front section and a rusty "steel" rear. More pictures and details are available on the Art as Wheels website. From there you can learn more about the project. To read about the challenges of the design, click here.

 


Smoked Buffalo 2001


Occasionally I can be persuaded to work on commission, but only if I can do it my way. The following two paintings were commissioned by John D'Arcangelo for his children. They are both oil on canvas.

24" x 30" _________________24" x 30"
Shalvi____________________Mrynal


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